NAEA Position Statement on Use of Imagery, Cultural Appropriation and Socially Just Practices

NAEA believes images have power and meaning that impact individuals, communities, and cultures. Understanding the complexity of images is foundational in the development of students as artists, designers, and citizens. This includes the study of cultures, the use of images and their meanings in an informed way. Visual art educators are then able to understand and challenge the implications surrounding the use of images in order to avoid cultural appropriation, misinformation, and the perpetuation of stereotypes.

NAEA encourages visual art educators to make curricular and pedagogical decisions that:

• acknowledge the multiple world views and voices of people and communities;
• respect, value and integrate different perspectives in pedagogical practices;
• advance insightful understandings of the context and meaning of cultural belongings and cultural art practice;
• authentically reflect both historical and contemporary cultures and philosophies of diverse people;
• confront issues around cultural appropriation and move toward greater cultural equity and inclusivity, valuing the ownership and significance of cultural images;
• eliminate the perpetuation of stereotypes, social inequities and assumptions of cultural homogeneity in educational settings.

NAEA supports the necessity of culturally competent and responsive visual art educators who encourage critical socially just practices and policies that provide and promote increased awareness, understanding, and acceptance of individual and group identities that affect all human interactions.

Resources :

Definition of Cultural Appropriation:

Nittle, Nadra Kareem. “A Guide to Understanding and Avoiding Cultural Appropriation.” ThoughtCo, Dec. 27, 2020, thoughtco.com/cultural-appropriation-and-why-iits-wrong-2834561. Why Cultural Appropriation Is Wrong (thoughtco.com). This article is a comprehensive resource and is available at this link.

Cultural appropriation is the adoption of certain elements from another culture without the consent of people who belong to that culture. It’s a controversial topic, one that activists and celebrities like Adrienne Keene and Jesse Williams have helped bring into the national spotlight. However, much of the public remains confused about what the term actually means.

• NAEA Position Statement on Diversity in Visual Art Education
• Resource Document from the Position Statement Regarding the Use of Race Based Mascots in Educational Settings

Additional Related Reading Material:

Banks, J. A. & Banks, C. A. M. (Eds.). (2001). Multicultural education: Issues and perspectives (4th ed.). New York, NY: John Wiley & Sons.

Delacruz, E. M. (2003). Racism American style and resistance to change: Art education’s role in the Indian mascot issue. Art Education, 56(30), 13-20.

Delacruz, E. M. (2014). Research in story form: A narrative account of how one person made a difference against all odds. In K. M. Miraglia & C. Smilan (Eds.), *Inquiry in action: Paradigms, methodologies, and perspectives in art education research *(pp.137-144) Reston, VA: NAEA.

Garber, E. (1995). Teaching art in the context of culture: A study in the borderlands. Studies in Art Education, 36(4), 218-232.

Knight, W. K. (2006). Using contemporary art to challenge cultural values, beliefs, and assumptions. Art Education, 59(4), 39-45.

Manifold, M. C., Willis, S., & Zimmerman, E. (Eds.). (2016). Culturally sensitive art education in a global world: A handbook for teachers. Alexandria, VA: NAEA.

Smith, L. T. (2012). Decolonizing methodologies: Research and indigenous peoples (2nd ed.). New York, NY: Zed Books.

Stuhr, P. L., Petrovich-Mwaniki, L., & Wasson, R. (1992). Curriculum guidelines for the multicultural art classroom. Art Education, 45(1), 16-24.

Wasson, R., Stuhr, P., & Petrovich-Mwaniki, L. (1990). Teaching art in the multicultural classroom: Six position statements. Studies in Art Education, 31(4), 234-246.

More Information on Cultural Misappropriation:

Think Before You Appropriate from The Intellectual Property Issues in Cultural Heritage (IPinCH) project (PDF)

Wes Anderson’s ‘Isle of Dogs’: Is Cultural Appropriation Hollywood’s Next Big Battleground? from The Hollywood Reporter

Susan Scafidi Who Owns Culture? Appropriation and Authenticity in American Law https://www.jstor.org/stable/j.ctt5hj7k9